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Solo exhibitions
Schwind Foundation. Jean Schwind Retrospective. Ghent, S.M.A.K.
September 13, 2014 - January 11, 2015
Solo exhibitions
Constitution des dossiers N° 19 et 20 de la Schwind Foundation. Dossier N°19: la galerie Yellow Now; dossier N° 20: l'artiste J.L.. Liège, Yellow Now,
March 7, 1973
Solo exhibitions
Schwind. Omaggio a Fontana (Appropriation N° 17). Termonde, Celbeton
May 13 - June 15, 1972
Solo exhibitions
Schwind – Anti-collection. Liège, Yellow Now
April 24 - May 13, 1971
Solo exhibitions
Collection Schwind. Brussels, Galerie Fitzroy
March 16 - April 10, 1971
Solo exhibitions
Collection Schwind II - Arte povera. Brussels, Galerie Fitzroy
Solo exhibitions
Erotische werken van J.S. / Oeuvres érotiques de J.S. Antwerp, Galerie Kontakt
April 29, 1970 and April 30
Solo exhibitions
Œuvres érotiques de J.S./Erotische werken van J.S. Brussels, Galerie Fitzroy
February 19, 1970
Solo exhibitions
J.S. Erotische tekeningen. Ghent, Galerie Richard Foncke
January 30, 1970
Solo exhibitions
Œuvres érotiques de J.S. Paris, Galerie Jacques Desbrière, s.d.
Solo exhibitions
Schwind. Brussels, Galerie Fitzroy
May 20 - June 3, 1969
---===*===--- is based upon the Morphologies framework, an ongoing digital publishing project / work-in-progress (2005-) by Jan Mast
This particular itteration came to life in 2014 and provides a digital archival tool.

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The Schwind Foundation is given new life in 2014 on the occasion of the Jean Schwind retrospective in the S.M.A.K. (Stedelijk Museum voor Actuele Kunst) in Ghent.

Jean Schwind (1935-1985), the first and only Belgian appropriation artist of note, in 1972 expanded his Collection Schwind to the status of a Foundation. In the Schwind Foundation he brought together his already realized as well as prospective appropriations in a way that was closely allied to conceptual art, and including a grand Plan. When, in 1976, Schwind took leave of art with a fictional death announcement, it also brought an end to the activities of the Foundation.

The new Schwind Foundation takes it upon itself the task of making the oeuvre of Jean Schwind accessible to the widest possible public. Not so simple a mission, when one considers that the artist had destroyed many of his works once they had served their initial purpose as disruptive interventions in the world of art. Nonetheless, the intention is to eventually assemble and make available a catalogue raisonné of this artist's works.

The Schwind Foundation is happy to lend its cooperation to exhibitions and publications that draw attention to the very particular role played by Jean Schwind in the art world of the 1970s.